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Queerguru’s Jonathan Kemp reviews DEREK JARMAN’s first film (Sebastiane) and last film (Blue)

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Serving as bookends to his filmmaking career, these two titles offer a fascinating insight into Jarman’s themes, obsessions, and aesthetics, as well as representing the powerful trajectory of one artist’s life/work. From painter to set designer (most famously on Ken Russell’s The Devils) to filmmaker, even if he claimed to never seeing himself as one. … Continue reading



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