The Criminal Queerness Festival (CQF) is an annual international theater festival created in partnership with NYC Pride and the Stonewall Community Foundation. The festival presents innovative new plays by LGBTQ artists from countries that criminalize queer and trans people.
Presenting the work of international queer artists alongside activist talks and workshops, CQF aims to uplift the careers of these artists and raise awareness about criminalization around the world.
The Criminal Queerness Festival provides a stage for artists facing censorship, shining a light on critical stories from across the globe. In order to build a truly global queer community, these writers are inspiring activism and shaping our culture towards the equitable treatment of LGBTQ people in every nation.
Two festival performances will occur on Hearst Stage at Lincoln Center, as part of their Restart Stages initiative. Tickets for these performances are free but are only obtainable through Lincoln Center via TodayTix Lottery.
The Lincoln Center performance of «when we write with ashes» by Victor I. Cazares is on June 24th at 7pm. The TodayTix lottery for this performance opens on June 10th and closes on June 21st.
The Lincoln Center performance of This is not a memorized script, this is a well-rehearsed story by Dima Mikhayel Matta is on June 25th at 7pm. The TodayTix lottery for this performance opens on June 11th and closes on June 22nd.
This is not a memorized script, this is a well-rehearsed story By Dima Mikhayel Matta Directed by Em Weinstein (First directed by Yara Bou Nassar) Starring Dima Mikhayel Matta
Queerness is a construct. So is language, and so is this play. Nothing about this performance is reliable, the performer questions gender, memory, sex, identity, and her relationship with Beirut but gives no answers to comfort you or herself. A refusal to romanticize, a resistance against orientalization, she is left with deconstructions that she cannot put back together. This is the story of a failed relationship, with a partner, with a city, and an attempt to carry this knowledge without breaking.
Dima Mikhayel Matta (she/they) is a Beirut-based writer and actress. Matta, a Fulbright scholar, holds an MFA in creative writing from Rutgers University in 2013. They have been acting for the stage since 2006. In 2014, they founded Cliffhangers, the first bilingual storytelling platform in Lebanon, and host monthly storytelling events along with parallel events such as storytelling workshops and performances. Their first play, “This is not a memorized script, this is a well-rehearsed story,” directed by Yara Bou Nassar, an autobiographical play on queerness and their relationship with the city toured in London, New York, and Belfast, and premiered in Beirut in February 2020. They are currently working on their second play.
«when we write with ashes» By Victor I. Cazares Directed By Borna Barzin Starring: Jose Useche and Noor Hamdi
One night you race across the Chihuahuan Desert to introduce your Muslim boyfriend to your dying grandfather—funerals are perfect opportunities to introduce a new character. Years pass and you’re on the bed of a pickup truck trying to avoid going to rehab—meth, it’s always meth these days. Your partner looks at you and tells you you’re his addiction, his self-harm. A fascist gets elected and together you wonder if you should leave the country; flee while you still can. You watch the country you fled to become the country you fled from. One of you dies and the other one remembers. You stand in the middle of the desert and look up; there are no signals. Only light pulses of transmission: one zero one zero zero one one.
«when we write with ashes» is a burial rite—like all my plays—and the title is a reference to the final death fiesta the Raramurí perform. You write with ashes to protect yourself from the dead. You write with ashes to help them start their journey into the next world.
Victor I. Cazares (they/them) is a non-binary Poz Queer Indigenous Mexican Artist (enby PQIMA for short) who has had stints at Yale, Brown, and other less prestigious centers of rehabilitation. Like any border child, they were born twice: once in El Paso, Texas and another in San Lorenzo, Chihuahua. Victor lives, forages, and produces their own social media telenovelas in Portland, Oregon. Their virtual plays, Pinching Pennies with Penny Marshall and Holiday Follies, premiered at New York Theatre Workshop earlier this season where they are the Tow Playwright-in-Residence. Other plays include: american (tele)visions, Ramses contra los monstruos, and We Were Eight Years in Powder.
Layalina By Martin Yousif Zebari Staged Reading Directed By Sivan Battat Starring: Louis Sallan, Layan Elwazani, Waseem Alzer, Gloria Imseih Petrelli, and Samy Figaredo
In 2003, newlywed Layal plans a future with her family as they make plans to immigrate to the U.S. from Baghdad. 18 years later, just outside of Chicago, Layal’s life and responsibilities look unimaginably different from what she had envisioned two decades before. Martin Yousif Zebari’s surprising new play examines how families maintain their love in the midst of turbulent global and social change.
Martin Yousif Zebari (he/they) is an Iraqi-born, Assyrian-American, actor and writer based in Chicago. Layalina, his first play, had its first developmental workshop at Goodman Theatre’s inaugural Future Labs, directed by Azar Kazemi. As an Actor, he has worked with National Queer Theatre, The Angle Project, Goodman Theatre, Steppenwolf Theatre Company, Chicago Shakespeare Theatre, Court Theatre, Broken Nose Theatre Company, Milwaukee Repertory Theatre, Illinois Shakespeare Festival and has appeared in NBC’s Chicago Med. Martin holds a BFA in Acting from the Arts University of Bournemouth, England and is represented by Stewart Talent Chicago.
CRIMINAL QUEERNESS FESTIVAL JUNE 22-26 2021 https://www.nationalqueertheater.org/cqf21tickets
Labels: 2021, Criminal Queerness Festival, Lincoln Center, National Queer Theater
