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Robert Wilson’s avant-garde TURANDOT for Teatro Real

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  The New York Times once described the queer avant-garde theater director Robert Wilson   as [America]’s – or even the world’s – foremost vanguard ‘theater artist.’  If you are familiar with any of Wilson’s remarkable body of work, you will appreciate that this is a well-deserved accolade. After twenty years of absence, Puccini’s Turandot was … Continue reading



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